Author: Neil Wiernik
Toronto's Neil Wiernik has released music on Noise Factory, Paper+Sound (as NAW), on Elevation Recordings, and soon, on BlRR, for post-rock project Whisper Rooom, a collaboration with Nadja's Aidan Baker. When Neil is not occupied with his musical projects, he steps into his founding curator/editor role on, an online digital arts quarterly. Neil is a member of the board of directors for musicworks magazine.

Toronto is made up of many different villages. In the past, each played host to a different immigrant community. Today, you can hardly tell these areas apart from each other. Bloor West Village used to be Ukrainian, but has since since lost much of its original, eastern European character. Touted as a poster child for Canadian multiculturalism, it is conspicuously homogeneous, in a typically unmemorable sort of way. (More…)

Toronto has a dilemma: It can afford new, high tech trains for municipal transport. However, it cannot develop other services to meet the city’s needs. What does this disjuncture mean? (More…)

Part of my daily routine includes a walk to and from a subway station located at Bloor and Jane, one of the streets I walk almost every day. This route has become almost second nature to me. I can almost walk it with my eyes closed. In fact I often do, trying to find my footing, one step in front of the other, by listening. (More…)

I used to take walks between York University‘s student center, and the northeastern side of campus. This is a recording of one of them. I made it because I wanted to capture the sounds of a routine I found meditative and calming. Several days after this was made, the Toronto Transit Commission fenced off 90% of the area, in order to build a subway extension connecting York and adjacent, poverty-stricken neighborhoods, with the rest of the city. (More…)

Some might call it ‘post-dubstep’. Others might call it ‘8-bit IDM’, ‘post-dub minimalism’ or some other invented subgenre of dub-inspired electronica. Whatever genre one dreams up, I’ve been making it since I first began playing music in the mid-1980s.